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Place of birth: <\/strong>Kontias, Lemnos<\/p>\n Year of birth: <\/strong>1934<\/p>\n Short biography:<\/strong><\/p>\n Alekos Balteranos was born in 1934. He played the lyra and sang, while earning a living in agriculture and farming. He was a self-taught musician and tried to apply playing techniques developed by other [older and more experienced] lyra players. \u201cSo I started learning the lyra. When the old folks played \u2013 Lantouris\u2019 dad, Kotsinadellis\u2019 dad from Tsimandria \u2013 I\u2019d go along and [while] they played, I\u2019d go and sit next to them or stand bedside them and watch \u2013 either from the side, where I was sitting, or from above. I\u2019d watch what they were doing, where they placed their fingers, and that\u2019s how I started, on my own. I played the lyra [\u2026], I used up a litre of oil every night in the barn, that\u2019s where I slept, I didn\u2019t go home to sleep. I had the animals, and I slept over there. I\u2019d sit there and sing and play on my own, nobody taught me how to fix it, how to tune it, nobody, I taught myself. So, within a year \u2013 but I did this every night, I practiced every night, I sang and played and I had a good ear, you can\u2019t imagine \u2013 and within a year I learned how to play. I mean, I could play songs\u201d.<\/p>\n His interest in music began at a young age. Originally, however, he had wanted to learn the violin or the clarinet: \u201cEver since I was young, I wanted to learn an instrument, I wanted to learn the violin. And when I told my old man, may he rest in peace \u2013 because I sang well, I had a good voice and it stood out, you know? \u2013 he wouldn\u2019t let me [\u2026]. So I said to him, I want to learn the violin [and] I got a beating. There were two men in the village at that time, one played the santouri, the other the violin, and they wanted a third, to play the clarinet [\u2026]. And so we were in the garden [with my father] and I said: \u2018Since you wouldn\u2019t let me learn the violin, I\u2019ll learn the clarinet.\u2019 He made me dance with his stick [he beat him]. [\u2026]. But what could I do? I wanted an instrument. There was no money then, no bands, and people [only] had lyras at weddings, engagements, that sort of thing. I went to a craftsman [\u2026] and said: \u2018Barba-Theofani, this and that, you\u2019ll make me a lyra, but I have no money [\u2026]. I said: \u2018I\u2019ll work for you, I\u2019ll plough a field and we\u2019ll call it even [\u2026].\u201d<\/p>\n He began to play the lyra around the late 40s or early 50s, with his father\u2019s permission, who finally accepted his interest in music: \u201cI spent New Year\u2019s Eve with Charalambos Lantouris [\u2026]. We went round the houses and, you know how it is, when we went to a house, we didn\u2019t stay for 5 minutes, we stayed for hours. We didn\u2019t get home till dawn on New Year\u2019s Eve. The old man was waiting up, my poor dad [\u2026]. We went, sat around because we\u2019d been drinking, and that madman says: \u2018Aleko, your lyra? Where\u2019s your lyra?\u2019 My old man hears this and says: \u2018Lyra? Where\u2019s the lyra?\u2019 I said: \u2018Hold on. I kept the lyra hidden, but it\u2019s not my lyra.\u2019 He says: \u2018Go bring it to me\u2019. I went, and brought it out, and played a couple of tunes. I played, and he went to the door, and banged his head. I said: \u2018Don\u2019t bang your head, it\u2019s never too late\u2019. He says: \u2018The lyra\u2019s no good\u2019. It\u2019s a little thing, barely an inch, and it\u2019s too shallow, much too shallow. Anyway, he went and got me another lyra, for 150 drachmas\u201d.<\/p>\n Alekos Balteranos performed mainly around Kontias, and regularly participated in musical events organised by the local hotel complex, \u2018Elvetika\u2019 [Swiss]. He collaborated, mainly, with Thanasis Kotsinadellis [lyra], with whom he played lyra at the Thessaloniki International Exhibition in 1967: \u201cNasos [Thanasis Kotsinadellis] and I played together at \u2018Elvetika\u2019. The Swiss wanted traditional songs and we\u2019d go once a week, every Saturday [\u2026]. We had two lyras, [Thanasis Kotsinadellis] would often get up and dance to the \u2018Patima\u2019 [a local tune [\u2026]. We went to the exhibition in 1967, with the military coup. That\u2019s when we went to the exhibition, they asked us over. I didn\u2019t want to go, because I was busy, I was very busy at the time [\u2026]. We were invited by the Municipality of Myrina, I haven\u2019t been anywhere else [\u2026]. [Of his performances on the island, he said:] I\u2019ve played in Kontias, in Tsimandria, in Portianou. [In Moundros] over there, I haven\u2019t played. [\u2026] I played at weddings, in Kontias. Even when I was married, I played. And when I was single, I played in parties, engagements, weddings, they hired me\u201d.<\/p>\n In 1972, Alekos Balteranos and his family migrated to Germany, where he remained for 26 years. For the most part, both he and his wife earned a living as unskilled workers in factories. While in Germany, he only played music on an amateurs basis, but took part in local music events in the summers, when he visited Lemnos: \u201cI spent 26.5 years in Germany, a good twenty-six years, I only got back recently, it\u2019s three years now [2001]. I went on my own at first, for eight months, and then I came and took her [his wife] [\u2026]. When I was over there [in Germany], I didn\u2019t play the lyra much. I\u2019d sit at home and play by myself, I\u2019d sit for hours, I didn\u2019t care [\u2026]. I didn\u2019t take it out [the lyra] to the cafes. Sometimes, if it was someone\u2019s birthday, there was a club over there and I\u2019d go, [they\u2019d say] \u2018Aleko, bring the lyra\u2019, and I\u2019d play there\u201d.<\/p>\n On the local tunes and songs of Lemnos, A. Balteranos said: \u201cThere\u2019s the \u2018Kechagiad\u2019kos\u2019, the \u2018Pat\u2019ma\u2019, there\u2019s the \u2018Brost\u2019nopisinos\u2019 [or \u2018Bros\u2019nopis\u2019nos\u2019], it\u2019s three forwards and two back [steps], there\u2019s the \u2018Sybether\u2019katos\u2019, as they call it. Those are the songs, I mean, Lemnos doesn\u2019t have that many songs, traditional songs.\u201d Of local events, he said: \u201c[At Apokries (Carnival), they sang] arsiz\u2019ka songs [rude songs], with swearwords to the same tune [of \u2018Sybether\u2019katos\u2019] [\u2026]. [At Fota (the Epiphany, on the 6th of January) they sang:] that one, the song \u2018tou Fotos\u2019 [of the Light]. In those years, they went out with the lyra [went round the houses], but now all that\u2019s over, nobody goes out, nothing, no singing or anything [\u2026]. [On wedding songs and customs:] they play, let\u2019s say, the \u2018Gambrikios\u2019, as they called it. They always played that, since the old days, [they played the \u2018Gambrikios\u2019] on the way to the church. So, what happened during the ceremony? They\u2019d go to the church, and then the lyra played would leave the church, go to the house and wait. He\u2019d eat something, because when the newlyweds arrived, he\u2019d fed, and ready to play the lyra all through the night. Then they took the groom round the houses, the guests I mean, the whole village brought the groom to their home. They wouldn\u2019t let him go to the bride. [In the houses] we played, and danced, and caused havoc [\u2026]. When we\u2019d been to all the houses, two or three people who had it in them would go and guard the door. They wouldn\u2019t let him [the groom] go inside, to the bride. They\u2019d say: \u2018Tell us, what will you give us?\u2019 And he\u2019d say: \u2018I\u2019ll treat you to dinner\u2019. In eight days, we had to turn up, the whole group, and he\u2019d treat us to dinner\u201d.<\/p>\n Alekos Balteranos was born in 1934. He played the lyra and sang, while earning a living in agriculture and farming. He was a self-taught musician and tried to apply playing techniques developed by other [older and more experienced] lyra players. \u201cSo I started learning the lyra. When the old folks played \u2013 Lantouris\u2019 dad, Kotsinadellis\u2019 dad from Tsimandria \u2013 I\u2019d go along and [while] they played, I\u2019d go and sit next to them or stand bedside them and watch \u2013 either from the side, where I was sitting, or from above. I\u2019d watch what they were doing, where they placed their fingers, and that\u2019s how I started, on my own. I played the lyra [\u2026], I used up a litre of oil every night in the barn, that\u2019s where I slept, I didn\u2019t go home to sleep. I had the animals, and I slept over there. I\u2019d sit there and sing and play on my own, nobody taught me how to fix it, how to tune it, nobody, I taught myself. So, within a year \u2013 but I did this every night, I practiced every night, I sang and played and I had a good ear, you can\u2019t imagine \u2013 and within a year I learned how to play. I mean, I could play songs\u201d.<\/p>\n His interest in music began at a young age. Originally, however, he had wanted to learn the violin or the clarinet: \u201cEver since I was young, I wanted to learn an instrument, I wanted to learn the violin. And when I told my old man, may he rest in peace \u2013 because I sang well, I had a good voice and it stood out, you know? \u2013 he wouldn\u2019t let me [\u2026]. So I said to him, I want to learn the violin [and] I got a beating. There were two men in the village at that time, one played the santouri, the other the violin, and they wanted a third, to play the clarinet [\u2026]. And so we were in the garden [with my father] and I said: \u2018Since you wouldn\u2019t let me learn the violin, I\u2019ll learn the clarinet.\u2019 He made me dance with his stick [he beat him]. [\u2026]. But what could I do? I wanted an instrument. There was no money then, no bands, and people [only] had lyras at weddings, engagements, that sort of thing. I went to a craftsman [\u2026] and said: \u2018Barba-Theofani, this and that, you\u2019ll make me a lyra, but I have no money [\u2026]. I said: \u2018I\u2019ll work for you, I\u2019ll plough a field and we\u2019ll call it even [\u2026].\u201d<\/p>\n He began to play the lyra around the late 40s or early 50s, with his father\u2019s permission, who finally accepted his interest in music: \u201cI spent New Year\u2019s Eve with Charalambos Lantouris [\u2026]. We went round the houses and, you know how it is, when we went to a house, we didn\u2019t stay for 5 minutes, we stayed for hours. We didn\u2019t get home till dawn on New Year\u2019s Eve. The old man was waiting up, my poor dad [\u2026]. We went, sat around because we\u2019d been drinking, and that madman says: \u2018Aleko, your lyra? Where\u2019s your lyra?\u2019 My old man hears this and says: \u2018Lyra? Where\u2019s the lyra?\u2019 I said: \u2018Hold on. I kept the lyra hidden, but it\u2019s not my lyra.\u2019 He says: \u2018Go bring it to me\u2019. I went, and brought it out, and played a couple of tunes. I played, and he went to the door, and banged his head. I said: \u2018Don\u2019t bang your head, it\u2019s never too late\u2019. He says: \u2018The lyra\u2019s no good\u2019. It\u2019s a little thing, barely an inch, and it\u2019s too shallow, much too shallow. Anyway, he went and got me another lyra, for 150 drachmas\u201d.<\/p>\n Alekos Balteranos performed mainly around Kontias, and regularly participated in musical events organised by the local hotel complex, \u2018Elvetika\u2019 [Swiss]. He collaborated, mainly, with Thanasis Kotsinadellis [lyra], with whom he played lyra at the Thessaloniki International Exhibition in 1967: \u201cNasos [Thanasis Kotsinadellis] and I played together at \u2018Elvetika\u2019. The Swiss wanted traditional songs and we\u2019d go once a week, every Saturday [\u2026]. We had two lyras, [Thanasis Kotsinadellis] would often get up and dance to the \u2018Patima\u2019 [a local tune [\u2026]. We went to the exhibition in 1967, with the military coup. That\u2019s when we went to the exhibition, they asked us over. I didn\u2019t want to go, because I was busy, I was very busy at the time [\u2026]. We were invited by the Municipality of Myrina, I haven\u2019t been anywhere else [\u2026]. [Of his performances on the island, he said:] I\u2019ve played in Kontias, in Tsimandria, in Portianou. [In Moundros] over there, I haven\u2019t played. [\u2026] I played at weddings, in Kontias. Even when I was married, I played. And when I was single, I played in parties, engagements, weddings, they hired me\u201d.<\/p>\n In 1972, Alekos Balteranos and his family migrated to Germany, where he remained for 26 years. For the most part, both he and his wife earned a living as unskilled workers in factories. While in Germany, he only played music on an amateurs basis, but took part in local music events in the summers, when he visited Lemnos: \u201cI spent 26.5 years in Germany, a good twenty-six years, I only got back recently, it\u2019s three years now [2001]. I went on my own at first, for eight months, and then I came and took her [his wife] [\u2026]. When I was over there [in Germany], I didn\u2019t play the lyra much. I\u2019d sit at home and play by myself, I\u2019d sit for hours, I didn\u2019t care [\u2026]. I didn\u2019t take it out [the lyra] to the cafes. Sometimes, if it was someone\u2019s birthday, there was a club over there and I\u2019d go, [they\u2019d say] \u2018Aleko, bring the lyra\u2019, and I\u2019d play there\u201d.<\/p>\n On the local tunes and songs of Lemnos, A. Balteranos said: \u201cThere\u2019s the \u2018Kechagiad\u2019kos\u2019, the \u2018Pat\u2019ma\u2019, there\u2019s the \u2018Brost\u2019nopisinos\u2019 [or \u2018Bros\u2019nopis\u2019nos\u2019], it\u2019s three forwards and two back [steps], there\u2019s the \u2018Sybether\u2019katos\u2019, as they call it. Those are the songs, I mean, Lemnos doesn\u2019t have that many songs, traditional songs.\u201d Of local events, he said: \u201c[At Apokries (Carnival), they sang] arsiz\u2019ka songs [rude songs], with swearwords to the same tune [of \u2018Sybether\u2019katos\u2019] [\u2026]. [At Fota (the Epiphany, on the 6th of January) they sang:] that one, the song \u2018tou Fotos\u2019 [of the Light]. In those years, they went out with the lyra [went round the houses], but now all that\u2019s over, nobody goes out, nothing, no singing or anything [\u2026]. [On wedding songs and customs:] they play, let\u2019s say, the \u2018Gambrikios\u2019, as they called it. They always played that, since the old days, [they played the \u2018Gambrikios\u2019] on the way to the church. So, what happened during the ceremony? They\u2019d go to the church, and then the lyra played would leave the church, go to the house and wait. He\u2019d eat something, because when the newlyweds arrived, he\u2019d fed, and ready to play the lyra all through the night. Then they took the groom round the houses, the guests I mean, the whole village brought the groom to their home. They wouldn\u2019t let him go to the bride. [In the houses] we played, and danced, and caused havoc [\u2026]. When we\u2019d been to all the houses, two or three people who had it in them would go and guard the door. They wouldn\u2019t let him [the groom] go inside, to the bride. They\u2019d say: \u2018Tell us, what will you give us?\u2019 And he\u2019d say: \u2018I\u2019ll treat you to dinner\u2019. 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Kechagiadikos dance Portianou | 2001 Kechagiadikos %91traditional local dance%93 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. 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Batzinades %91songs with improvised lyrics%93 Myrina | 2001 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. 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Panaghia Choros Portianou | 2001 instrumental Panaghia Choros Alekos Balteranos, lyra Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. 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Katsivelikos Portianou | 2001 instrumental katsivelikos %91traditional local dance%93 Alekos Balteranos, lyra Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. Lemnos Researcher: Nikos Dionysopoulos, Dimitris Papageorgiou Sound recording: Nikos Dionysopoulos” title_tablet=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_phone=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_last_edited=”on|tablet” _builder_version=”4.22.2″ _module_preset=”default” title_level=”h6″ title_font=”Roboto|500|||||||” title_text_color=”#40514c” title_font_size=”1.1em” caption_font=”|300|||||||” caption_text_color=”#000000″ horizontal_offset=”0px” z_index=”0″ vertical_offset_tablet=”” vertical_offset_phone=”” vertical_offset_last_edited=”on|desktop” horizontal_offset_tablet=”0px” horizontal_offset_phone=”0px” horizontal_offset_last_edited=”on|desktop” width=”96%” width_tablet=”97%” width_phone=”90%” width_last_edited=”on|desktop” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”-3%|||1.2%|false|false” custom_margin_tablet=”|-1%||1%|false|false” custom_margin_phone=”|||2%|false|false” custom_margin_last_edited=”on|phone” custom_padding=”2vh|1vw|2vh|0.3vw|false|false” custom_padding_tablet=”|2vw||0vw|false|false” custom_padding_phone=”|4vw||0vw|false|false” custom_padding_last_edited=”on|tablet” z_index_tablet=”0″ z_index_phone=”0″ z_index_last_edited=”on|desktop” custom_css_audio_buttons=”color:#40514c;” custom_css_audio_timer=”color:#40514c;” custom_css_audio_sliders=”color:#40514c;” custom_css_audio_sliders_current=”color:#40514c;” box_shadow_style=”preset2″ box_shadow_blur=”0px” box_shadow_color=”#40514c” global_colors_info=”{}” width__hover_enabled=”on|hover” box_shadow_color__hover_enabled=”on|desktop” box_shadow_color__hover=”#d17e5b” width__hover=”” positioning__hover_enabled=”on|desktop” position_origin_f__hover_enabled=”on|desktop” position_origin_a__hover_enabled=”on|desktop” position_origin_r__hover_enabled=”on|hover” vertical_offset__hover_enabled=”on|hover” horizontal_offset__hover_enabled=”on|hover” z_index__hover_enabled=”on|hover” horizontal_offset__hover=”0px” z_index__hover=”0″][\/et_pb_audio][et_pb_audio audio=”https:\/\/www.northaegean-music.gr\/wp-content\/uploads\/2023\/10\/lnm_010-1.mp3″ title=”5. Kechagiadikos Myrina | 2001 Kechagiadikos %91traditional local dance%93 Thanasis Kotsinadellis, lyra and vocals, Alekos Balteranos, lyra Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. 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Livyzikos %91local dancing tune, named after its creator, musician Livyzos%93 Portianou | 2001 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. 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Balartos dance, with %22teasing%22 couplets Myrina | 2001 balartos %91traditional local dance%93 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. Lemnos Researcher: Nikos Dionysopoulos, Dimitris Papageorgiou Sound recording: Nikos Dionysopoulos” title_tablet=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_phone=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_last_edited=”on|tablet” _builder_version=”4.22.2″ _module_preset=”default” title_level=”h6″ title_font=”Roboto|500|||||||” title_text_color=”#40514c” title_font_size=”1.1em” caption_font=”|300|||||||” caption_text_color=”#000000″ horizontal_offset=”0px” z_index=”0″ vertical_offset_tablet=”” vertical_offset_phone=”” vertical_offset_last_edited=”on|desktop” horizontal_offset_tablet=”0px” horizontal_offset_phone=”0px” horizontal_offset_last_edited=”on|desktop” width=”96%” width_tablet=”97%” width_phone=”90%” width_last_edited=”on|desktop” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”-3%|||1.2%|false|false” custom_margin_tablet=”|-1%||1%|false|false” custom_margin_phone=”|||2%|false|false” custom_margin_last_edited=”on|phone” custom_padding=”2vh|1vw|2vh|0.3vw|false|false” custom_padding_tablet=”|2vw||0vw|false|false” custom_padding_phone=”|4vw||0vw|false|false” custom_padding_last_edited=”on|tablet” z_index_tablet=”0″ z_index_phone=”0″ z_index_last_edited=”on|desktop” custom_css_audio_buttons=”color:#40514c;” custom_css_audio_timer=”color:#40514c;” custom_css_audio_sliders=”color:#40514c;” custom_css_audio_sliders_current=”color:#40514c;” box_shadow_style=”preset2″ box_shadow_blur=”0px” box_shadow_color=”#40514c” global_colors_info=”{}” width__hover_enabled=”on|hover” box_shadow_color__hover_enabled=”on|desktop” box_shadow_color__hover=”#d17e5b” width__hover=”” positioning__hover_enabled=”on|desktop” position_origin_f__hover_enabled=”on|desktop” position_origin_a__hover_enabled=”on|desktop” position_origin_r__hover_enabled=”on|hover” vertical_offset__hover_enabled=”on|hover” horizontal_offset__hover_enabled=”on|hover” z_index__hover_enabled=”on|hover” horizontal_offset__hover=”0px” z_index__hover=”0″][\/et_pb_audio][et_pb_audio audio=”https:\/\/www.northaegean-music.gr\/wp-content\/uploads\/2023\/10\/lnm_015.mp3″ title=”8. Brostinopisinos Portianou | 2001 Brostinopisinos %91traditional local dance%93 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. Lemnos Researcher: Nikos Dionysopoulos, Dimitris Papageorgiou Sound recording: Nikos Dionysopoulos” title_tablet=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_phone=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_last_edited=”on|tablet” _builder_version=”4.22.2″ _module_preset=”default” title_level=”h6″ title_font=”Roboto|500|||||||” title_text_color=”#40514c” title_font_size=”1.1em” caption_font=”|300|||||||” caption_text_color=”#000000″ horizontal_offset=”0px” z_index=”0″ vertical_offset_tablet=”” vertical_offset_phone=”” vertical_offset_last_edited=”on|desktop” horizontal_offset_tablet=”0px” horizontal_offset_phone=”0px” horizontal_offset_last_edited=”on|desktop” width=”96%” width_tablet=”97%” width_phone=”90%” width_last_edited=”on|desktop” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”-3%|||1.2%|false|false” custom_margin_tablet=”|-1%||1%|false|false” custom_margin_phone=”|||2%|false|false” custom_margin_last_edited=”on|phone” custom_padding=”2vh|1vw|2vh|0.3vw|false|false” custom_padding_tablet=”|2vw||0vw|false|false” custom_padding_phone=”|4vw||0vw|false|false” custom_padding_last_edited=”on|tablet” z_index_tablet=”0″ z_index_phone=”0″ z_index_last_edited=”on|desktop” custom_css_audio_buttons=”color:#40514c;” custom_css_audio_timer=”color:#40514c;” custom_css_audio_sliders=”color:#40514c;” custom_css_audio_sliders_current=”color:#40514c;” box_shadow_style=”preset2″ box_shadow_blur=”0px” box_shadow_color=”#40514c” global_colors_info=”{}” width__hover_enabled=”on|hover” box_shadow_color__hover_enabled=”on|desktop” box_shadow_color__hover=”#d17e5b” width__hover=”” positioning__hover_enabled=”on|desktop” position_origin_f__hover_enabled=”on|desktop” position_origin_a__hover_enabled=”on|desktop” position_origin_r__hover_enabled=”on|hover” vertical_offset__hover_enabled=”on|hover” horizontal_offset__hover_enabled=”on|hover” z_index__hover_enabled=”on|hover” horizontal_offset__hover=”0px” z_index__hover=”0″][\/et_pb_audio][et_pb_audio audio=”https:\/\/www.northaegean-music.gr\/wp-content\/uploads\/2023\/10\/lnm_030.mp3″ title=”9. Old Gambritsios %91traditional wedding tune%93 Portianou | 2001 tou gamou %91wedding songs%93 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. Lemnos Researcher: Nikos Dionysopoulos, Dimitris Papageorgiou Sound recording: Nikos Dionysopoulos” title_tablet=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_phone=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_last_edited=”on|tablet” _builder_version=”4.22.2″ _module_preset=”default” title_level=”h6″ title_font=”Roboto|500|||||||” title_text_color=”#40514c” title_font_size=”1.1em” caption_font=”|300|||||||” caption_text_color=”#000000″ horizontal_offset=”0px” z_index=”0″ vertical_offset_tablet=”” vertical_offset_phone=”” vertical_offset_last_edited=”on|desktop” horizontal_offset_tablet=”0px” horizontal_offset_phone=”0px” horizontal_offset_last_edited=”on|desktop” width=”96%” width_tablet=”97%” width_phone=”90%” width_last_edited=”on|desktop” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”-3%|||1.2%|false|false” custom_margin_tablet=”|-1%||1%|false|false” custom_margin_phone=”|||2%|false|false” custom_margin_last_edited=”on|phone” custom_padding=”2vh|1vw|2vh|0.3vw|false|false” custom_padding_tablet=”|2vw||0vw|false|false” custom_padding_phone=”|4vw||0vw|false|false” custom_padding_last_edited=”on|tablet” z_index_tablet=”0″ z_index_phone=”0″ z_index_last_edited=”on|desktop” custom_css_audio_buttons=”color:#40514c;” custom_css_audio_timer=”color:#40514c;” custom_css_audio_sliders=”color:#40514c;” custom_css_audio_sliders_current=”color:#40514c;” box_shadow_style=”preset2″ box_shadow_blur=”0px” box_shadow_color=”#40514c” global_colors_info=”{}” width__hover_enabled=”on|hover” box_shadow_color__hover_enabled=”on|desktop” box_shadow_color__hover=”#d17e5b” width__hover=”” positioning__hover_enabled=”on|desktop” position_origin_f__hover_enabled=”on|desktop” position_origin_a__hover_enabled=”on|desktop” position_origin_r__hover_enabled=”on|hover” vertical_offset__hover_enabled=”on|hover” horizontal_offset__hover_enabled=”on|hover” z_index__hover_enabled=”on|hover” horizontal_offset__hover=”0px” z_index__hover=”0″][\/et_pb_audio][et_pb_audio audio=”https:\/\/www.northaegean-music.gr\/wp-content\/uploads\/2023\/10\/lnm_032.mp3″ title=”10. Symbetherkatos (with %22teasing%22 couplets) Portianou | 2001 tou gamou %91wedding songs%93 Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. Lemnos Researcher: Nikos Dionysopoulos, Dimitris Papageorgiou Sound recording: Nikos Dionysopou” title_tablet=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_phone=”\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u0397\u03c7\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2” title_last_edited=”on|tablet” _builder_version=”4.22.2″ _module_preset=”default” title_level=”h6″ title_font=”Roboto|500|||||||” title_text_color=”#40514c” title_font_size=”1.1em” caption_font=”|300|||||||” caption_text_color=”#000000″ horizontal_offset=”0px” z_index=”0″ vertical_offset_tablet=”” vertical_offset_phone=”” vertical_offset_last_edited=”on|desktop” horizontal_offset_tablet=”0px” horizontal_offset_phone=”0px” horizontal_offset_last_edited=”on|desktop” width=”96%” width_tablet=”97%” width_phone=”90%” width_last_edited=”on|desktop” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”-3%|||1.2%|false|false” custom_margin_tablet=”|-1%||1%|false|false” custom_margin_phone=”|||2%|false|false” custom_margin_last_edited=”on|phone” custom_padding=”2vh|1vw|2vh|0.3vw|false|false” custom_padding_tablet=”|2vw||0vw|false|false” custom_padding_phone=”|4vw||0vw|false|false” custom_padding_last_edited=”on|tablet” z_index_tablet=”0″ z_index_phone=”0″ z_index_last_edited=”on|desktop” custom_css_audio_buttons=”color:#40514c;” custom_css_audio_timer=”color:#40514c;” custom_css_audio_sliders=”color:#40514c;” custom_css_audio_sliders_current=”color:#40514c;” box_shadow_style=”preset2″ box_shadow_blur=”0px” box_shadow_color=”#40514c” global_colors_info=”{}” width__hover_enabled=”on|hover” box_shadow_color__hover_enabled=”on|desktop” box_shadow_color__hover=”#d17e5b” width__hover=”” positioning__hover_enabled=”on|desktop” position_origin_f__hover_enabled=”on|desktop” position_origin_a__hover_enabled=”on|desktop” position_origin_r__hover_enabled=”on|hover” vertical_offset__hover_enabled=”on|hover” horizontal_offset__hover_enabled=”on|hover” z_index__hover_enabled=”on|hover” horizontal_offset__hover=”0px” z_index__hover=”0″][\/et_pb_audio][et_pb_audio audio=”https:\/\/www.northaegean-music.gr\/wp-content\/uploads\/2023\/10\/lnm_059.mp3″ title=”11. Carols ton Foton %91The Epiphany%93 Portianou | 2001 carols Alekos Balteranos, lyra and vocals Origin: %22Aegean Ark%22 \u2013 Musical Crossroads in the Aegean. 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Recordings<\/h2>\n